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作 者:李文富[1]
出 处:《重庆社会科学》2013年第5期110-115,共6页Chongqing Social Sciences
摘 要:抗日战争时期,文学受到战争的巨大冲击,包括歌谣、诗歌在内的文学形式的常规发展路径被外力粗暴阻断。"歌谣体"作为这一特殊历史时期的特殊文体应运而生。由于在主题、内容、情感、创作手法、修辞技巧、语言表达、创作主体等方面都难以区分谁是歌谣、谁是诗歌,从而导致抗战诗歌与抗战歌谣之间的界限变得十分模糊,使二者具有"杂糅关系"。During the period of Anti- Japanese War, literature was impacted heavily due to the war, so the normal development path of literature including folk songs, poems was blocked up rudely by external force. "Folk songs" arose as a special literature form at the historic moment. It was difficult to distinguish folk songs and poems from theme, content, emotion, literary techniques, rhetorical skill, language expression, creative subject etc., so the boundary between Anti-Japanese folk songs and Anti-Japanese poems is vague, which they possessed the mingled relation.
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