室内设计中“形而上”与“形而下”的思辨  

Thinking of “Metaphysic” and “Entity” in Interior Design

作　　者：张颖[1] 李莹莹[1] 

机构地区：[1]南华大学艺术与设计学院,衡阳421001

出　　处：《家具与室内装饰》2013年第4期32-33,共2页Furniture & Interior Design

摘　　要：由辩证逻辑的观点出发对室内设计中的"形而上"与"形而下"的范畴进行了概述。由认识论具体分析了室内设计中的两者的逻辑关系——两者之间既有本质区别又是缺一不可的整体,是整个理性设计思维的全部内容与构成方式。设计中"形而下"到"形而上"的思想使设计陷入抄袭模仿的媚俗境地;由概念先行原则阐释关于室内设计正确的认识与实践方法:即从"形而上"到"形而下",设计走向创新。进而揭示了设计中,从"形而上"到"形而下"的过程是一个正确有效的理性过程。EFrom the dialectical logical view, the domain of ＂ Metaphysic＂ and ＂＇entity＂ in interior design was summarized. Close logical relations between the two was concretely analysed with epistemology in interior design --they have been both essential difference and an equally important whole.They are the complete content and forms of the whole design idea. Design was throw into copying and kitsch with the idea that from ＂entity＂ to ＂Metaphysic＂ ; correcte understanding and practices of interior design was explained according to the concenpt procession principle： from ＂Metaphysic＂ to ＂entity＂, design towards innovation ,and then explains that the process from ＂Metaphysic＂ to ＂entity ＂ is a correct and effective rational process.

关 键 词：室内设计 形而上形而下 思辨 

分 类 号：TU238.2[建筑科学—建筑设计及理论]