论宋元文化对龙泉青瓷风格变迁之影响  

ON THE INFLUENCE OF THE CULTURE IN THE SONG AND YUAN DYNASTIES ON VICISSITUDES OF THE STYLES OF LONGQUAN CELADON

作　　者：王泽玖[1] 

机构地区：[1]丽水学院教育学院,丽水323000

出　　处：《中国陶瓷》2013年第5期77-80,共4页China Ceramics

基　　金：2011年浙江省社科联研究课题(2011B083);丽水市宣传文化系统"四个一批"人才支助项目

摘　　要：龙泉青瓷宋、元时期风格的转变不是偶然的,它与宋、元文化的变迁与发展直接相关。龙泉青瓷从胎体纤巧、釉色纯净的宋代风格,转变成体型厚重、纹饰繁复的元代风格,从表象上看是青瓷烧制材质及生产工艺改进之结果,但实质却是宋代儒家文化、士大夫文化变迁成元代游牧文化、通俗文化等深层次原因所造就的。It was not by accident that there was a transition in the styles of Longquan Celadon. It was directly related to the cultural development and vicissitudes in the Song and Yuan Dynasties. In the Song Dynasty, Longquan Celadon was outstanding for the thin bodies and translucent glaze while in the Yuan Dynasty, it was featured with thick and solid shapes and complicated ornaments. Superficially, the renovations in porcelain firing and production techniques may offer a direct cause of the vicissitudes of the styles. Essentially, it was more due to the transition from the Confucianism and the elite culture of the Song Dynasty to the nomadic and popular culture of the Yuan Dynasty.

关 键 词：龙泉青瓷 士大夫文化 游牧文化 风格变迁 

分 类 号：TQ174.74[化学工程—陶瓷工业]