美的神圣超越维度之重建  

Reestablishment of the Holy Excessive Dimension of Aesthetics

作　　者：张俊[1] 

机构地区：[1]陕西师范大学文学院,陕西西安710062

出　　处：《陕西师范大学学报（哲学社会科学版）》2013年第2期50-56,共7页Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)

基　　金：中国博士后科学基金项目(2012M510106);陕西师范大学中央高校基本科研业务费专项资金项目(10SZTZ01)

摘　　要：汉语美学同整个西方启蒙以来现代美学一样,正面临边缘化的处境,其在世俗精神领域的价值优位不断遭遇诘难。美学的边缘化,最为根本的一个原因在于美学神圣超越维度的消逝。重建美的神圣超越维度与崇高价值,回归古典美学的传统资源是必由之路。植根于西方古典(哲学)美学传统的神学美学为我们提供了一种奠基于神圣美与世俗美二元结构学说的进路,当代汉语美学重建美的神圣超越维度,应该借鉴其理论框架。Like modern western aesthetics since the Enlightenment,Chinese aesthetics faces the hazard of marginalization,and its advantageous place has received continuous embarrassment in the worldly mind.The marginalization of aesthetics results primarily from the vanishing of the holy excessive dimension of aesthetics.Therefore,only by regaining traditional resources of classical aesthetics,can the holy excessive dimension and lofty value be reestablished.Theological aesthetics,on whose basis western classical（philosophic） aesthetics was established,provides a binary theoretical approach involving both holy beauty and worldly beauty,whose theoretical framework should be referred to reestablish the holy excessive dimension of Chinese aesthetics.

关 键 词：汉语美学 神学美学 古典美学 二元论 神圣美 世俗美 

分 类 号：B83-0[哲学宗教—美学]