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作 者:丁婕[1]
机构地区:[1]南京大学中国新文学研究中心,南京210064
出 处:《湖南工业大学学报(社会科学版)》2013年第2期77-80,共4页Journal of Hunan University of Technology(Social Science Edition)
基 金:教育部人文社科基金课题(08JA751024)
摘 要:20世纪40年代后期,随着国共内战形势的变化,双方文艺政策的调整,左翼文学逐渐成为平津文坛的主导力量。认同左翼文学立场的作家成为文学期刊的主宰,许多中间作家开始向"左"转,其他作家则日渐淡出文坛,刊物的作者趋向单一化。在刊物的内容方面,也由先前的多元文学组合,逐渐萎缩成左翼文学独存的格局。In the late 1940s, with the changes of the Chinese Civil War situation and the adjustment of the literary policies by both the Communist Party and Kuomintang, left - wing literature had gradually become a dominant force in the literary circles of Peking and Tianjin. The writers and editors who agreed with the left - wing literary stance became the master of literary journals, many intermediate writers began to turn to the "left" and the others faded out the literary circles. The authors of these publications presented a feature of simplification and the content of these publications also withered from the coexistence of multi - literatures to the only survivor of the left - wing literature.
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