雌雄同体与美国华裔男性气质的重构——以伍慧明小说《骨》和《望岩》为例  

Androgyny and Reconstruction of Chinese American Masculinity:A Case Study of Bone and Steer Toward Rock

作　　者：云玲[1] 郭棲庆[2] 

机构地区：[1]北京理工大学外国语学院,北京100081 [2]北京外国语大学英语学院,北京100089

出　　处：《外国语文》2013年第1期34-37,共4页Foreign Languages and Literature

基　　金：北京理工大学基础研究基金(项目编号:20112442004)

摘　　要：美国华裔男性气质长期以来被主流社会建构为"女性化"来凸显白人的男性气质,而在以赵健秀为代表的激进的华裔男性作家笔下它又被塑造为"英雄主义的"。前者是西方对华裔男性"东方主义"的幻想,后者则被批评为将中国文化简单化,以"牺牲华裔女性利益"为代价。借用弗吉尼亚·伍尔夫"雌雄同体"的思想,追溯美国华裔男性气质的历史变迁,分析伍慧明在《骨》和《望岩》中对美国华裔男性气质的重构,揭示理想的华裔男性气质是建构在霍米.巴巴"第三空间"上,具有"雌雄同体"双性的特点。The Chinese American men have long been constructed as ＂effeminate＂ by the main stream society to highlight the white males＇ masculinity while they are depicted as ＂heroic＂ by the radical Chinese American male writers represented by Frank Chin. The former is the western fantasy of Chinese men in terms of Orientalism while the latter is criticized for ＂oversimplifying Chinese Culture and sacrificing the benefits of Chinese American women＂, By Virginia Woolf＇ s androgyny theory, the paper intends to analyze how Fae Myenne Ng reconstructs Chinese American masculinity in Bone and Steer toward Rock. The ideal Chinese men should be the combination of androgynous qualities based on Homi Bhabah＇ s＂ third space＂ theory.

关 键 词：《骨》 《望岩》 雌雄同体 男性气质 

分 类 号：I712.074[文学—其他各国文学]