论黄峨散曲的艺术结构  

The Art Structure of Huang E's Sanqu Poems

作　　者：舒红霞[1] 

机构地区：[1]大连大学文学院,辽宁大连116622

出　　处：《西华师范大学学报（哲学社会科学版）》2013年第2期1-5,共5页Journal of China West Normal University:Philosophy & Social Sciences

基　　金：辽宁省教育厅项目"中国古代女性文学忧时济世主题研究"(2009B010)

摘　　要：黄峨散曲艺术结构在时空维度中呈现出回环往复的结构模式,其原因主要源自于中华民族"大团圆"的审美心理,是对花好月圆生活的一种期待。作者通过幻梦、回忆与期待的方式,实现对美好情感的把握和享受,以梦幻之乐反衬现实之苦,使散曲情感内蕴更为丰厚而凄美。The art structure of Huang E＇s Sanqu poems works presents a circle reciprocating structural model in time -space dimensions, it mainly derives from the aesthetic psychology of the Chinese nation ＂happy reunion＂ ,which implies an expectation of the happy together life. Through the way of dreams, memories and expectations, the author realizes a better grasp and enjoyment of the emotional joy to serve as a foil for the bitter reality, so the emotional connotation of Sanqu Poems is more rich and poignant.

关 键 词：黄峨 散曲 回环 团圆 

分 类 号：I207.24[文学—中国文学]