论《搭车游戏》中的人格表征  

On Personality Representation in Milan Kundera's Lift Game

作　　者：高杨[1] 

机构地区：[1]中国传媒大学文学院,北京100024

出　　处：《吉林师范大学学报（人文社会科学版）》2013年第3期34-36,共3页Journal Of Jilin Normal University:Humanities & Social Science Edition

摘　　要：米兰·昆德拉的小说以深刻地反映并批判现实著称,并且他的创作与传统的批判现实主义作品的表现方式又有着极大的区别。他不采用通过塑造典型环境下的典型人物的方法,而是通过典型人物的心理突出特殊政治环境的存在。小说《搭车游戏》就是以一对普通恋人为主要表现对象,通过他们旅游途中的日常遭遇深刻透视出人的内心世界,使两性角色以人格表征的方式呈现在读者面前,作品的悲剧结局引发的是我们对于文化钳制下的人性的思索。Milan Kundera＇s novels are famous to truly show what the real is, but his creation is different from the traditional critical realism＇s representation way. He did not shape the typical environment and its char- acters, but shape the typical character＇s psychological to outstand special political environment existence. Lift Game discribed a pair of ordinary lovers as the main performance object. It showed out people＇s inner world through their daily experience in tour way, which made the gender role as personality representation presented in front of readers. The tragedy of the works by the end made us to think humanity under cultural strangulation.

关 键 词：米兰·昆德拉 《搭车游戏》 人格表征 

分 类 号：I106.3[文学—世界文学]