现代人危机意识的预言诗——论大江健三郎《洪水淹没我的灵魂》  

Prophetic Poem of Modern Men′s Crisis Awareness——On Kenzaburō Oe′s "The Flood Drowned My Spirit"

作　　者：霍士富[1] 

机构地区：[1]西安交通大学外国语学院,陕西西安710048

出　　处：《西安交通大学学报（社会科学版）》2013年第3期103-108,共6页Journal of Xi'an Jiaotong University：Social Sciences

基　　金：国家社会科学基金项目(06BWW008)

摘　　要：在20世纪70年代初期,以美苏两个超级大国为首的核武器竞争正愈演愈烈,而日本经济的高速增长期却步入尾声期;日本国民刚刚走出二次大战的阴影,却又陷入另一种新的危机:核战争和环境污染。大江健三郎创作的《洪水淹没我的灵魂》无疑是这一时代背景下的副产物,表现了现代日本人灵魂深处的恐惧心理,成为反映人们潜意识恐惧心理的寓言诗;作者艺术地再现这一由直觉把握的、现代人的主旋律,并从现实"事件"与虚构"故事"的冲突、叙事空间的图像学构图、符号的畸形现象三部分切入,透视了大江文学时代所鸣出的现代社会的最强音和警钟。While the competition in atomic weapons between the US and the Soviet Union was at the zenith at the begin- ning of the 1970s, the boom of Japanese economy was ebbing away. The characters in Kenzabur60e＇s work, like the Japanese in real life, got out of the shadow of WWII only to find themselves in a new crisis - atomic wars and environ- mental pollution. The reproduction in the novel based on excessive crisis awareness demonstrates the fear in the depth of the soul of modem men, which is undoubtedly a by - product at this historical background. Therefore, The Flood Drowned My Soul can be considered as a prophetic poem reflecting the subconscious fear of the people through the repro- duction of the excessive crisis awareness of modem men. Then, how does the writer artistically reproduce the theme of modem men grasped by intuition？ By cutting into three parts - -the conflict between the actual ＂events＂ and fabricated ＂stories＂ , the graphic composition of the narrative space, and abnormal phenomena of symbols, this paper probes into the fact that like the alarm clock of the era, the Kenzabur60e＇s literature sings the strongest voice of modem society.

关 键 词：日本现代文学 大江健三郎 洪水淹没我的灵魂 

分 类 号：I313.074[文学—其他各国文学]