“三言”视域中的冯梦龙创作观略论  

THE DISCUSSION ON THE WRITING CONCEPT OF FENG MENG-LONG IN HIS WORKS SANYAN

作　　者：金军华[1] 

机构地区：[1]南阳理工学院文法学院,河南南阳473006

出　　处：《南阳理工学院学报》2013年第2期35-39,共5页Journal of Nanyang Institute of Technology

摘　　要：冯梦龙编撰的"三言"在中国通俗小说史上具有里程碑意义。在儒家正统观念的影响下,冯氏在编撰过程中承载着强烈的主体意识,使小说由民间故事的自在状态转变为文人文学的自为状态。这种编撰思想展示了其基本的创作理念:作家的创作要心有"隐在读者",在作品中渗透个人的审美意识,注重创作个性,追求艺术真实。Sanyan,compiled by FENG Meng-long,is a milestone in the history of Chinese popular fictions.Under the influence of Confucian orthodoxy,FENG carries a strong subject consciousness in the process of compilation,making the fiction change from self-being of folk tales to self-making of literati.This compiling thought reflected his basic concept of creation： the writer should have ＂the implied reader＂ in mind,penetrating personal aesthetic consciousness,emphasizing creative personality,and pursuing artistic truth in the works.

关 键 词：冯梦龙 三言 创作观 

分 类 号：I277.3[文学—中国文学]