哈代的语言游戏和悲剧意识  

Hardy's Language Game and His Pessimistic Views

作　　者：曹浏[1] 

机构地区：[1]福州大学阳光学院外语系,福州350014

出　　处：《湖北第二师范学院学报》2013年第3期13-16,共4页Journal of Hubei University of Education

基　　金：福建省社会科学基金资助项目(2011B142)

摘　　要：关于哈代的宗教意识倾向历来颇多争论,一些评论还对哈代对待"堕落女性"的宽容态度表示过迷惑与不解。维特根斯坦的语言游戏理论实际提供了解开这些谜团的视角与工具。游戏场、游戏中的玩家、游戏原则等游戏要素一旦确定,游戏中单一的施为者便暴露出了真实的面目。此外,哈代的语言游戏还契合了审美规律,而这正是其作品传播久远的重要原因。Through the ages, the critics have developed a host consciousness. Not a few of them feel puzzled about Hardy＇ of conflicting arguments on Thomas Hardy＇ s religious s dubious attitude towards those ＂ depraved female protagonists＂ in his works. This essay picks up Wittgenstein＇ s theory of Hardy language game, providing a new perspective on ＇ s masterpieces and the source of his pessimistic views. By identifying the playground, playing rules and players involved, the essay focuses on a discussion of a special player in the games the essay also touches upon the achievement of aesthetic effect through the , who appears only as an actant. In addition, author＇s language game.

关 键 词：语言游戏 施为者 游戏原则 游戏场 

分 类 号：I106.4[文学—世界文学]