现代歌词学建构的几个关键词  

The Core Area of Modern Lyrics

作　　者：陈煜斓[1] 

机构地区：[1]闽南师范大学文学院,福建漳州363000

出　　处：《湘潭大学学报（哲学社会科学版）》2013年第3期91-96,共6页Journal of Xiangtan University:Philosophy And Social Sciences

基　　金：教育部人文社会科学研究资助项目“两岸三地歌诗六十年”(编号:11YJA760008)的阶段性成果

摘　　要：现代歌词学由歌词文体学、歌词文化学、歌词创作学、歌词美学、歌词传播学、歌词史和词人评传等分支构成。兼有诗与歌双重美感追求的现代歌词新文体,长期以来被遮蔽和忽略,没有获得独立的学科地位。廓清歌词的内涵与外延,探究歌与诗从同源异流到各自独立发展的机制是歌词文体学的核心;歌词文化学是从现代的文化观念和视野出发,研究文化建设中的歌词活动,透视整个中国文化的某些不易觉察到的意蕴;歌词史是从思潮、背景、整体风格、艺术个性等方面为现代歌词寻找自己的坐标以及它独立的本体性价值体系。从现代社会的接受格局看,歌词已从边缘走向了中心,当下的歌词创作召唤理论指导,词坛呼唤着建立歌词的学科建构。Modem song lyrics, the new literary style which combined the aesthetic pursuit of poetry and song, have long been ignored and not been admitted its independent discipline status. Distinguishing the connotation and the denotation of song lyrics and researching on the growing stage of song and poetry from their homologous root to their independent fruits are forming the core of lyric stylistics ; Lyric cultural studies, based on modem cultural idea and view, is carrying a study on the lyric activity in cultural construction which leading to explore the imperceptible implication of Chinese culture; And song lyric history is committed to pursuit their own coordinates and independent value system from the aspects of historical thought, background, overall style and artistic character. Lyric stylistics, lyric cultural studies and lyric history construct the core areas of modem lyrics. From the observation of modern social acceptation, lyr- ics has already marched from edge to the center inviting the lyric creating group crying for theoretical guidance and the finally establish- ment of lyrics as a discipline.

关 键 词：现代歌词学 歌词文体学 歌词文化学 歌词史 

分 类 号：I0-02[文学—文学理论] I0-03