青花绘制技法分期与演变规律研究  

On the Periodization and Evolutionary Law of the Painting Techniques of Blue-and-white Porcelain

作　　者：陈殿[1] 

机构地区：[1]北京大学考古文博学院,北京市100871

出　　处：《华夏考古》2013年第2期110-114,F0002,F0003,共7页Huaxia Archaeology

摘　　要：青花绘制技法从唐到清已发展完善。本文将各朝青花绘制技法分期,研究其发展的内因和外在表现,并总结其发展演变规律。Through their development from the Tang to the Qing Period, the painting techniques of blue-and-white porcelain had been perfected. The present paper deals with the periodization of the evolutionary course of these techniques in those dynasties, studies the internal factors of their development and the external presentation of these factors, and sums up their evolutionary law.

关 键 词：青花 绘制技法 规律 

分 类 号：K876.3[历史地理—考古学及博物馆学] J527[历史地理—历史学]