庞德《比萨诗章》中的互文与戏仿  

Intertextuality and Parody in Pound's The Pisan Cantos

作　　者：王文[1] 郭英杰[1] 

机构地区：[1]陕西师范大学外国语学院,陕西西安710062

出　　处：《陕西师范大学学报（哲学社会科学版）》2013年第3期136-141,共6页Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)

基　　金：教育部人文社会科学研究规划项目(10YJA752031)

摘　　要：《比萨诗章》是庞德代表作《诗章》中的精华,被誉为美国现代派诗歌的丰碑。《比萨诗章》具有明显的互文风格,影射着诗人绮丽美好但又悲观绝望的梦想;同时,它又有戏仿的痕迹,通过戏说古往今来的历史故事、五大洲四大洋的典故传说,对纷繁复杂的社会现实进行隐喻式解读。《比萨诗章》是庞德杰出才华和鲜明个性的集中展示,其登峰造极的互文与戏仿风格,究其形式,主要反映在隐形书写、复调式表达、文化逻各斯之解构、碎片式宏大叙事等几个方面。The Pisan Cantos, an outstanding part of Ezra Pound＇ s masterpiece, The Cantos, has been hailed as one monumental work of American modernist poetry today. The Pisan Cantos basically shares the conspicuous in- tertextual styles, which mirrors Pound＇s magnificent but pessimistic dreams. Meanwhile, the work implies the in- tricate traces of parody, which reveals a metaphorical interpretation of the complicated social realities through ridi- culing the historical stories as well as the classical legends. Accordingly, The Pisan Cantos is a condensed demon- stration of Pound＇ s remarkable talents and striking personalities. His masterly fulfillment of intertextuality and paro- dy, as we can observe from his unique forms, is primarily presented as the distinctive aspects like invisible writing, polyphonic expression, deconstruction of cultural logos, fragmentalization of grand narrations, etc.

关 键 词：美国现代派诗歌 庞德 《比萨诗章》 互文 戏仿 

分 类 号：I712.072[文学—其他各国文学]