大众文化时代的文艺接受批判  

Literary Reception Criticism in the Era of Mass Culture

作　　者：黄书泉[1] 

机构地区：[1]安徽大学文学院,安徽合肥230039

出　　处：《学术界》2013年第5期90-100,283-284,共11页Academics

基　　金：教育部人文社会科学研究规划项目<图书市场视野中的新世纪长篇小说发展研究>(项目批准号:11YJA751024)阶段性成果

摘　　要：受制于市场经济的大众文化的消费法则,已深刻地影响和改变了当代的文艺接受,使其发生了两个显著的变化:一是从传统的"作者本位"到大众文化时代的"读者(观众)本位",审美艺术欣赏意义上的文艺接受转变为社会学意义上的文化消费,市场成为影响着文学的基本因素。二是读者(观众)从传统的审美欣赏者或教育接受者转变为文艺消费者和"书籍购买者"。因此,从文艺接受角度来看,欲革除当代文艺病象,当务之急是抑制三大文化公害,即从抑制收视率(票房价值)、发行量和点击率入手。而要想抑制"三大文化公害",作为文艺接受者的读者(观众)必须走出由大众消费文化制造的文艺接受的三个误区:符号认同接受、欲望满足接受和从众模仿接受。The consumption rule that is subjected to the popular culture in the market economy,has deeply affected and changed the contemporary literature reception and brought two significant changes: the first one is from the traditional'authors’standard 'to the era of popular culture' readers’ ( or audiences’) standard',as well as the aesthetic appreciation of the art sense literary reception to the sociological significance of cultural consumption,and market has become the basic factors in affecting literature. The second is readers’( audiences’) transformation from the traditional aesthetic appreciation or educational recipients to the literary consumers and'book buyers'. In order to suppress the'three cultural pollution',as the readers( audiences) of literary recipients have to get outthe literary accepted three errors manufactured by the culture of mass consumption literary: acceptance of symbol recognition,to meet the hope of reception and reception of conformity of imitation.

关 键 词：大众文化 当代文艺病象 文艺接受 消费文化 

分 类 号：J120.9[艺术—艺术理论]