论《逻辑哲学论》的节奏性、简单性与隐喻性:一种修辞学的解释  

Wittgenstein's Tractatus Logico-Philosophicus:A Rhetorical Interpretation

作　　者：张志平[1] 

机构地区：[1]上海师范大学哲学学院,上海200234

出　　处：《复旦学报（社会科学版）》2013年第3期133-142,169,共10页Fudan Journal（Social Sciences）

摘　　要：本文从修辞学的角度出发,分析了维特根斯坦《逻辑哲学论》的修辞学形式,即它的节奏性、简单性和隐喻性,并在此基础上,剖析了维特根斯坦采用这种修辞学形式的意图以及这种修辞学形式与其思想的关系,即:通过为《逻辑哲学论》铸就独特的修辞学形式,维特根斯坦赋予这部著作以艺术作品的特质,从而拉开其哲学命题与自然科学命题的距离,并由此使自己摆脱思想的悖论;不论是对《逻辑哲学论》的写作还是在其中对哲学问题的思考,他遵循的都是简单性原则,并使之成为真理的标准和哲学思考的要求;不仅如此,他还通过《逻辑哲学论》的形式结构隐喻性地彰显其宗教情怀或对不可说者的敬畏。Starting from the point of view of rhetoric,this paper analyses the rhetorical form of Wittgenstein's Tractatus Logico-Philosophicus,that is,its rhythmicity,simplicity and metaphor,and on this basis,dissects Wittgenstein's intention of using this rhetorical form and its relevance to his thought,namely:by forging a unique rhetorical form for Tractatus Logico-Philosophicus,Wittgenstein writes Tractatus Logico-Philosophicus as composing a piece of music in order that he can differ his philosophical propositions from those of natural science,and thus makes himself get rid of his thinking paradox;he follows the principle of simplicity in the process of writing his Tractatus Logico-Philosophicus and thinking his problems of philosophy,and makes simplicity as a standard of truth and requirement of philosophical thinking;furthermore,he metaphorically shows his religious complex or reverence for what cannot be spoken by using the formal structure of his Tractatus Logico-Philosophicus.

关 键 词：维特根斯坦 《逻辑哲学论》 修辞学解释 

分 类 号：B81-02[哲学宗教—逻辑学]