从隐、桓年间史实看《左传》的叙事结构及其“意蕴”——《左传》历史美学解读之一  

On the Narrative Structure of Zuo Zhuan and Its “Implication” Based on the Historical Facts during the Reigns of Duke Yin and Duke Huang: An Interpretation of Zuo Zhuan from the Perspective of Historical Aesthetics (Part Ⅰ)

作　　者：路新生[1] 

机构地区：[1]华东师范大学历史系,上海200241

出　　处：《华东师范大学学报（哲学社会科学版）》2013年第3期97-109,154,共13页Journal of East China Normal University（Humanities and Social Sciences）

基　　金：2012年度上海市教育委员会创新项目"历史美学的理论与实践"阶段性成果(项目编号:12ZS039)

摘　　要：《左传》不仅是"经",且是经中唯一一部名副其实的"史"。作为中国历史学的不祧之祖,《左传》中饱涵的"历史美学"意谓不仅对中国历史学的后世发展产生了深远影响,厘析而探求之,对于克服当今历史学"见物不见人"的痼疾亦不失为良方药剂。Zuo Zhuan (Zuo’s Commentary on Spring and Autumn) is not only a 'classic' but also the only book of 'history' in the 'thirteen classics'. As the origin and source of Chinese historical writing, Zuo Zhuan implies 'historical aesthetics', which not only has had a profound influence on the development of Chinese historical writing, but also will help us overcome the absence of human beings in the shadow of things in current historical study.

关 键 词：《左传》 历史美学 

分 类 号：B22[哲学宗教—中国哲学] B83-092