安徒生作品中的流浪意识与波西米亚精神  

On Andersen’s Wandering Consciousness and Bohemianism in His Works

作　　者：赵鹏芳[1] 王夏雯[1] 

机构地区：[1]三明学院外语系,福建三明365004

出　　处：《闽江学院学报》2013年第3期73-77,共5页Journal of Minjiang University

摘　　要：在安徒生生活与作品中体现了流浪意识和拢括其内涵的波西米亚精神,表现出其对艺术理想的不倦追求。波西米亚精神已融入安徒生的个体精神结构之中,也贯穿其童话、小说、游记等作品之中。作为一个不满现实、热衷流浪、具有创新才华和独特风格的作家,安徒生在作品中为那些被主流社会抛弃的人们发出声音的同时,也体现了波西米亚精神这种生活方式和精神信仰。The Bohemianism and the wandering consciousness belonged to it was reflected in Andersen＇s lifes- tyle and his works, and showed his tireless pursuit of the ideal of art. The Bohemianism had been integrated into the structure of his individual spirit, and had been rooted into his works included fairy tales, novels and travel notes as well. As a creative writer with unique style who was keen to wanderings dissatisfied with reality, Andersen＇s works spoke for the people abandoned by mainstream society and at the same time embodied Bohemian lifestyle and spiritu- al beliefs.

关 键 词：安徒生 波希米亚精神 流浪意识 

分 类 号：I106[文学—世界文学]