论莎士比亚《李尔王》中的愚人和疯癫者及其他  

On Follies and Madmen in Shakespeare

作　　者：蒋倩[1] 

机构地区：[1]四川外语学院国际关系学院,重庆400031

出　　处：《中国莎士比亚研究通讯》2011年第1期32-33,共2页News Report of Shakespeare Study in China

摘　　要：愚人和疯癫者这两类典型人物是相辅相成、有同有异的。本文依据米歇尔·福柯的哲学观和审美论阐释两类人物在莎剧中具有的共同意义，即都代表非理性对理性的反思和控诉，都体现超越生命意义的真善美，都富有强烈的审美意义。This essay interprets two types of characters, follies and madmen, in Shakespeare from a critical perspective espoused by Michael Foucault, aiming to demonstrate the three common significances of them. That is, both these two repre-sentatives of non - rationalism provoke the rethinking of and the charge against rationalism. Both function as revealing humanist theme of truthfulness, goodness and beautifulness. Both reflect aesthetic meaning.

关 键 词：莎士比亚 《李尔王》 愚人 

分 类 号：I561.073[文学—其他各国文学]