论《蛙》与《百年孤独》叙事意识之互文性——两部作品女性人物比较研究  

On Narrative Consciousness Intertextuality of Frog and One Hundred Years of Solitude——Comparison of Female Characters in Two Novels

作　　者：孙桂芝[1] 

机构地区：[1]昌吉学院中文系,新疆昌吉831100

出　　处：《山西大同大学学报（社会科学版）》2013年第2期54-57,共4页Journal of Shanxi Datong University(Social Science Edition)

摘　　要：莫言的《蛙》和马尔克斯的《百年孤独》无论在叙事情节还是在叙事形式上都有着明显的不同,除了都是极具魔幻现实主义色彩的作品,两部作品均体现了以创造生命为女性宿命的原型意识,对女性以回归自然生命为途径的救赎之道的表述,对侧身于现代性历史之流的个体生命的孤独感的探索,通过两部作品中的核心女主人公比较研究将有助于对两部作品的叙事意识互文性进行探究。Mo Yan＇s work Frog and Garcia M（lrquez＇s Cien anos de soled（M, whether in the narrative plot or in the narrative form have great differences. Both are magic realistic works, reflecting the prototype sonsciousness that females＇ destiny is to create life, expressing the their way of redemption, and exploring the loneliness of individual life in the modernity flow of history. The comparison of the two core heroines in two works is helpful in the study of narrative consciousness intertextuality.

关 键 词：叙事意识 互文性 原型 救赎 

分 类 号：I0-03[文学—文学理论]