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作 者:苏琴琴[1]
出 处:《暨南学报(哲学社会科学版)》2013年第4期97-104,164,共8页Jinan Journal(Philosophy and Social Sciences)
基 金:黄冈师范学院博士基金项目<〈红楼梦〉经典化过程探究>(批准号:2012028703)
摘 要:在中国,文学经典危机作为一种历史文化现象早在20世纪初就已出现,并贯穿整个20世纪。一方面,不同历史阶段出现的文学经典危机呈现出各自的时代特点,另一方面,各阶段的文学经典危机话语又互为交织。"五四"文学革命以启蒙救亡为中心掀起了除旧革新的第一次经典重估;建国后为配合国家政治需要,以社会主义革命话语为中心自上而下地进行了第二次经典重估;80年代后期出于对文革"拨乱反正"之文化需求,"重写文学史"拉开了第三次经典重估的序幕;而90年代前期出现的"大师重排座次"等事件则表明文学失去轰动效应后"众声喧哗"的第四次经典重估。百年中国的四次文学经典危机表明相对频繁的政治和文化变革使中国文学经典历经了数次重估,尤其是20世纪以来的文学一直就缺乏一个稳定而具有广泛认同的经典系统。In China,the crisis of literary canon as a historical cultural phenomenon appeared early in the 20th century and throughout the century.The crises of literary crisis in different historical periods presented their respective time characteristics.And the discourses of the crisis of literary sultra in different periods are mixed.Literary revolution has launched the first revaluation of literary canon under the center of enlightenment for national salvation.After the founding of new China,in order to cooperate with the country's political needs it has launched the second revaluation of literary classical from top to bottom with the core discourse of socialist revolution.In the late 1980s 'the Rewriting Literary History' has launched the third revaluation of literary canon for the demand of 'bring order out of chaos'.In the end of the 1990s 'the rearrangement seating of literary master' indicated that the fourth polyphony revaluation of literary classical after the loss of sensational effect of literature.Through recalling of the four crises of Chinese literary crisis,it provides a historical clue for current study of Chinese literary canon.
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