胡适受到意象主义影响的史实考察与内涵厘析  

Historical Observation and Connotation Clarification of Hu Shi’s being Influenced by Imagism

作　　者：卢惠余[1] 

机构地区：[1]盐城师范学院文学院,江苏盐城224002

出　　处：《南京师范大学文学院学报》2013年第2期1-7,共7页Journal of School of Chinese Language and Culture Nanjing Normal University

基　　金：江苏省社会科学规划基金项目"意象主义与中国现代诗歌研究"(编号:11ZWB004);盐城师范学院教授博士科研基金项目"意象主义与中国五四诗歌研究"(编号:10YSYJB0102)

摘　　要：关于胡适与意象主义的关系这一课题,历来就有不同观点,胡适曾竭力否认受过意象主义的影响,有一些学者也努力寻找未受影响的论据。我们通过相关的史实考察与内涵厘析可以看出:胡适早年就有取法西方文学从而创造祖国新文学的自觉意识,又曾浸润于美国意象主义新诗运动的氛围之中,熟悉、赞赏并认同意象主义新诗潮,而且在诗歌语言观、意象观、传统观等方面受到了意象主义的显著影响。There are different opinions on the issue of the relation between Hu She and imagism. Hu Shi himself denied that he had been influenced by imagism, while some scholars also try to disprove such influ- ence. Through historical observation and connotation clarification we find that Hu had a self- consciousness of borrowing western literature in order to create new national literature even in his early years, and then he had been immersed in the imagist new poetry movement. He was familiar with, appreciating and approving the trend of the imagist poetry. He was obviously influenced by imagism in terms of his view of poetry language, image and tradition.

关 键 词：胡适 意象主义 影响 

分 类 号：I052[文学—文学理论]