电影《一九四二》的意识形态解读  

An Ideological Reading of the Movie Back to 1942

作　　者：刘郁琪[1] 

机构地区：[1]湖南科技大学湖南省方言与民俗文化研究基地,湖南湘潭411201

出　　处：《南京师范大学文学院学报》2013年第2期154-158,共5页Journal of School of Chinese Language and Culture Nanjing Normal University

基　　金：教育部人文社会科学研究青年项目(编号:10YJCZH098);湖南省教育厅科学研究项目(编号:09C416)

摘　　要：《一九四二》是一个内涵丰富的文本。它以温故历史的方式,对被宏大叙事遮蔽的灾难及灾难记忆进行了呈现,对我们文化中盛行的虚伪的道德主义论调提出了质疑,对灾难事件中国家权力的缺席进行了批判。但这些以历史名义进行的思考,与其说是真正历史学的,不如说是意识形态的。它通过种种复杂而隐蔽的话语机制,既巩固、强化了今日意识形态的合法性,同时又在某种程度上对其展开了批判。Back to 1942 is a text with rich connotation. By retrospect of history, it presents the catastro- phe and catastrophic memory which has been shaded by grandiose narration, and queries the hypocritical mor- alist speech which is prevailing in our culture. It also carries out an absent trial to the state power in catastro- phe. However, these reflections in the name of the history are more ideological rather than truly historical. It uses various complicated and concealing speech mechanism to consolidating and enhancing the legitimacy of current ideology while gives it some criticism in certain degree.

关 键 词：《一九四二》 灾难叙事 道德批判 意识形态 

分 类 号：J904[艺术—电影电视艺术]