论柯尔律治的三部“超自然诗歌”  

Coleridge’s Three Supernatural Poems

作　　者：郭峰[1] 鲁春芳[1] 

机构地区：[1]浙江财经大学外国语学院

出　　处：《外国文学研究》2013年第3期58-66,共9页Foreign Literature Studies

基　　金：2010教育部人文社科规划基金项目【项目批号:10YJA752020】;2010浙江省哲学社科规划课题"柯尔律治自然观研究"【项目批号:10CGWW05YB】的研究成果;国家留基委地方合作项目;浙江财经大学国际化人才培养项目资助

摘　　要：柯尔律治诗学思想自20世纪中后期不断得到学界的广泛关注和认同。然而对《老水手吟》、《忽必烈汗》和《克里斯贝儿》这三首"超自然诗歌"的思想和意义仍存在着诸多争论和争议。我们认为,柯尔律治的三部"超自然诗歌"体现了柯尔律治诗学主张的深刻性,诗人有意识地把对立的或错综的审美特性加以想象的综合,以其独特的超自然的形式显示着人与自然、人与人乃至人与自身和谐整一的哲学深度;如果说《老水手吟》、《忽必烈汗》重在表现人与自然对立后果的预警,那么《克里斯贝儿》则强调的是现代文明社会中人与人和谐关系的修复与重构。Coleridge＇s poetics has been extensively studied and well acknowledged since the mid 20th century. Nevertheless, arguments and disputes on the thought and value of Old Mariner, Kubla Khan and Christabel have never stopped. We hold that these three supernatural poems successfully embody the profoundness of Coleridge＇s poetics, which in supernatural form expresses Coleridge＇s philosophical depth into the broken relationship between man and nature, the alienated human nature and the redemptive possibility of human relationship in the real world. These three poems are the aesthetical unions of opposites with the poet＇s poetic genius： imagination and thought. Old Mariner and Kubla Khan focus on criticizing and warning man＇s ignorant pride and greed before nature, while Christabel mainly on the redemption and reconstruction of human relationship in the modem civilized world, all to awaken the mind＇s attention from the lethargy of custom to the loveliness and wonders of the world.

关 键 词：柯尔律治 超自然 想象力 对立 整一 

分 类 号：I561.072[文学—其他各国文学]