“立身出世”主义对日本近代文学发端期的影响——以森鸥外《舞姫》为例  

Influence of Risshin Shusse Doctrine on the Beginning of Modern Japanese Literature : Taking MAIHIMEfor Instance

作　　者：刘金举[1] 孟庆枢[2] 

机构地区：[1]广东外语外贸大学日语系,广东广州510420 [2]东北师范大学文学院,吉林长春130024

出　　处：《外国问题研究》2013年第2期67-72,共6页FOREIGN HISTORY STUDIES

基　　金：[基金项目]教育部人文社会科学研究项目"思想与社会转型期文学嬗变考"(编号:11YJAZH058)

摘　　要：明治维新后,日本传统的"士农工商"制度瓦解,但由于儒教等传统思想的影响,随着以天皇为首的中央集权制度的确立以及西方借助实学出人头地思想的普及,形成了融"立身""出世"为一体、以出仕为目标的明治初期"立身出世"主义①,深深影响了社会各方面。本文以森鸥外《舞姬》为例,管窥该思想对近代文学初始阶段的决定性影响。After Meiji Restoration, Japanese traditional ＂Four Occupations＂ system（scholars, farmers, artisans and merchants） was overthrown. However, due to the influence of Confucianism, alongside the establishment of centralist country with Tennonism and the spread of the up-doctrine of Western real learning, the Risshin Shusse doctrine, with the characteritics of ＂Risshin＂ and ＂Shusse＂, formed in the early Meiji period. This doctrine with the aim of being an official greatly affected all fields of the society. Taking MAIHIME written by Mori Ogai for instance, this dissertation provides a limited view of the decisive influence of the Risshin Shusse doctrine on the Beginning of modern Japanese literature.

关 键 词：近代文学 立身出世 儒教 武士道 政治操作 

分 类 号：I313.064[文学—其他各国文学]