有的放矢:当代岭南建筑学派的创作思想与实践  

Targeted: the Creative Thought and Practice of Contemporary Lingnan Architecture School

作　　者：张昊[1] 许秋娟[1] 

机构地区：[1]惠州学院建筑与土木工工程系,广东惠州516007

出　　处：《惠州学院学报》2013年第3期105-111,128,共8页Journal of Huizhou University

基　　金：广东省自然科学基金项目(S2011010001601);广东省哲学社会科学"十二五"规划学科共建项目(GD12XYS18)

摘　　要：本文将何镜堂的建筑创作历程置于现代岭南建筑学派这一独特建筑体系的发现、阐释与渐进的语境之中去调研梳理,认为何镜堂建筑的渊源与发展为"岭南建筑学派"的形成有益的支撑,他的"两观三性"跨越了从创作实践到创作理论的屏障,他提出的目标很明确,把岭南建筑学派推向世界建筑之林。This paper puts He Jingtang＇s creative process into the context of Contemporary Lingnan Architecture School, and views that the origin and development of He Jingtang Architecture provides favorable support for the forming of Lingnan Architecture School. He＇s ＂two views and three characteristics＂ breaks through the harriers from creative practice to creative theory;his purpose is very clear： to put Lingnan Architecture School into the forest of world architecture.

关 键 词：何镜堂 当代岭南建筑学派 两观三性 

分 类 号：TU-86[艺术—艺术设计]