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作 者:张慕华[1]
机构地区:[1]中山大学学报
出 处:《文史哲》2013年第4期148-158,168,共11页Literature,History,and Philosophy
基 金:国家社会科学基金重大项目"中国古代文体学发展史"(10&ZD102);教育部人文社科青年基金项目"敦煌佛事文体与世俗礼仪文体对比研究"(13YJC751077);广东省社科规划青年项目"敦煌佛事文体研究"(GD11YZW08)的阶段性成果
摘 要:文体学是中国古代文学理论与批评的核心,也是中国古代文学的本体性问题。20世纪80年代以来,在新的学术意识的推动下,文体学这门古老的学科获得了全面复兴,重新焕发出生机和活力。近三十多年来的中国古代文体学研究,主要集中在古代文体基本内涵、古代文体分类研究、古代文体形态与文体史研究以及古代文体学学科建设与构想等方面。现阶段古代文体学研究需要注意的问题是:一方面,古代文体学必须明确研究的对象和范围;另一方面,要坚持"回归本土化和本体性研究"的基本原则,将古代文体学与文学史、文学批评史等相关学科联系起来互动研究,确立其在文学研究构架中的学术位置,以建构更具体系和内涵的中国古代文体学学科。这样才能全面提升古代文体学研究的理论水平,建设有时代特点和学术高度的中国古代文体学。Stylistics is both the core of classic Chinese literary theory and criticism , and the core existential problem in classic Chinese literature.Since the 1980s , driven by new academic consciousness , the old discipline of stylistics undergone significant reform.The study of classic Chinese stylistics in the past three decades has mainly concen-trated on the basic connotation of classic style , the classification of classic style , the forms of classic style , the history of classic style , the discipline construction and conception of classic stylistics and so on.The issues that require attention in the study of classic Chinese stylistics at this stage are , on the one hand , the objects and scope and , on the other hand , adhering to the basic principle of ' returning the indigenous and ontological research. ' The classic stylistics should be associated with the history of literature , the history of literary criticism , and other related disciplines , to establish its position in the framework of literary studies , and to construct a more sys-tematic and substantive discipline of classic Chinese stylistics.This could enhance the theoretical level of the studies of classic Chinese stylistics , as well as construct the studies of classic Chinese stylistics with characteristics of the time and of high academic level.
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