《秋胡戏妻》与京剧《桑园会》之比较  

Comparison of Qiuhu Xiqi with Beijing Opera's Sangyuanhui

作　　者：李芹[1] 

机构地区：[1]西南大学文学院,重庆北碚400715

出　　处：《杨凌职业技术学院学报》2013年第1期84-86,共3页Journal of Yangling Vocational & Technical College

摘　　要：石君宝的《秋胡戏妻》①是一部流传非常广的杂剧,其主要表现了在封建传统礼教的束缚之下,女性思想中根深蒂固的"妻纲"对她们的压迫,以及她们反抗这种压迫而不得的社会现实,其中还反映了当时普遍的社会矛盾。京剧《桑园会》②则是在《秋胡戏妻》的基础上改编而成,前者既有对后者的继承,同时也有很多创新的地方,使得两者之间既有各自的特色,又有内在的联系。Shi Junbao＇s Qiuhu Xiqi is a miscellaneous drama that spreads widely, which presents that the traditional norms of be- havior for women influences the female under feudal traditional ethics, and their resistance to this oppression, as well as the common social contradictions. Beijing opera＇s Sangyuanghui is adapted from Qiuhu Xiqi, it inherits the former and make many innovations, making the two have their own characteristics and internal relations.

关 键 词：《秋胡戏妻》 《桑园会》 女性 矛盾 传统礼教 京剧 创新 

分 类 号：I206[文学—中国文学]