论朱湘对中国新诗艺术的探索与贡献  

On Zhu Xiang's Exploration and Contribution to the Art of Chinese New Poetry

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作  者:李桦[1] 

机构地区:[1]蚌埠学院写作研究所,安徽蚌埠233000

出  处:《合肥学院学报(社会科学版)》2013年第4期71-76,共6页Journal of Hefei University:Social Sciences

基  金:安徽省哲学社会科学规划项目"安徽籍诗人对中国新诗的贡献研究"基金(AHSK11-12D198)资助

摘  要:安徽太湖籍诗人朱湘是20世纪二三十年代最重要的诗人之一。他以清醒的头脑和强烈的艺术使命感,在维护诗的审美特性和创造新诗的艺术形式方面进行了多方面的探索和实践。他在创作中注意吸收古典诗词合理的艺术形式,精心创造形式完美的新格律诗;他主张借鉴外国各种诗体经验,努力实现新诗诗体多样化;他积极倡导现代叙事诗,并带头进行创作实践,在借用并改造传统题材、注重人物性格刻画、探索现代叙事诗的结构形式等方面取得了较大的突破。他为创造新诗的艺术形式、推动中国新诗的健康发展作出了突出的贡献。Zhu Xiang, born in Taihu, Anhui Province, is one of the most important poets in 1920s and 1930s. With his sober mind and strong artistic sense of mission, he has done a lot of exploration and practice in terms of vindicating the aesthetic features of poetry and creating artistic forms of new poetry. When creating poems, he, on the one hand, adopts the reasonable artistic forms of classical poetry so as to create new metrical poetry with perfect forms, on the other hand, avers that styles of foreign poetry should be used for reference so as to diversify Chinese new poetry verse styles. Meanwhile, he strongly advocates modern narrative poetry, and even takes the lead in practice. Zhu Xiang has made great breakthroughs in absorbing and altering traditional themes, portraying character's personality, exploring modern narrative poetry forms and so on. He has made an outstanding contribution to the artistic forms of new poetry as well as its healthy development.

关 键 词:艺术形式 新格律诗 诗体多样化 现代叙事诗 

分 类 号:I207.2[文学—中国文学]

 

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