论中国的髹饰技法——以《髹饰录》的研究为基础  

on the Chinese Kyushitsu Method,Based on a Study of Kyushokuroku

作　　者：荒川浩和 何振纪[2] 

机构地区：[1]日本漆工史学会 [2]中国美术学院设计艺术学系,浙江杭州310024

出　　处：《中国生漆》2013年第2期31-32,共2页Journal of Chinese Lacquer

摘　　要：(盖蒂艺术中心)漆艺研究组在日本举办会议期间非常关注于漆器的修复与保存问题,但却缺乏基本的技术知识含量。只有一小部分组员注意到了有关髹饰程序的旧有记录方面。而我一直都对包括日本、中国、韩国、琉球在内的亚洲各个地区的髹饰技术的异同特别感兴趣。在此,我讨论到了有关中国的髹饰技术记录,为的是介绍这方面研究的一个面貌。During the meeting of the Urushi Study Group in Japan, there seemed to be great interests in the repair and preservation of shikki （lacquer ware）, but lacking fundamental knowledge of the techniques involved. Only a few members of the Group were aware of the existence of old records on the process of ky- ushitsu. ! have had a particular interest for some time in the differences and similarities in kyushitsu tech- niques from different parts of Asia： Japan, China, Korea, Ryukyu （Okinawa）, and Southeast Asia. On this occasion, the records on Chinese kyushitsu technique have been discussed in order to introduce one aspect of this study.

关 键 词：中国 《髹饰录》 技法 

分 类 号：TS959.3[轻工技术与工程]