西晋潘岳“缘情”及抒情艺术特征新论  

Characteristics of Pan Yue’s "Emotion" and Lyric Arts in West Jin

作　　者：冀秀美[1] 

机构地区：[1]保定学院中文系,河北保定071000

出　　处：《山西师大学报（社会科学版）》2013年第4期82-85,90,共5页Journal of Shanxi Normal University(Social Science Edition)

摘　　要：宋代严羽《沧浪诗话》称"左思、潘岳、三张、二陆诸公之诗"为"太康体",说明他们在文学创作上有共同倾向;刘勰《文心雕龙.明诗》篇云"晋世群才,稍入轻绮。张、潘、左、陆,比肩诗衢,采缛于正始,力柔于建安,或析文以为妙,或流靡以自妍,此其大略也",指出了以"张、潘、左、陆"为首的西晋"群才"的主流文学风格,而正如刘勰所说,此乃"大略"。潘岳的诗文创作在同样具有时代特色的前提下,还表现出自己独有的艺术审美特征,其在"缘情"诗文内容上的纯真、明丽及抒情方面的日常人性化、情绪外向化等表现别具风格,对之进行探讨对进一步认识西晋时期乃至认识魏晋南北朝作为特殊时代的文学审美倾向有一定意义。In Canglang Poerty, Yan Yu of Song Dynasty called the poems created by Zuo Si, Pan Yue, Three Zhangs and Two Lus ＂the Dakang Style＂, suggesting that they exhibited the same tendency in literary creation. Liu Xie also mentioned the mainstream literary style of the ＂great minds＂ in West Jin represented by them. In such a background, Pan Yue＇s poetic creation has also displayed his own unique artistic aesthetic features, like the naivety and brightness in content, the routine personalization in expressing emotion and outward expression of mood. It is of great significance to study the artistic features of Pan Yue＇s poems to further recognize the literary aesthetics of works in West Jin and even Wei, Jin and North and South Dynasties.

关 键 词：西晋 潘岳 艺术特征 缘情 抒情 

分 类 号：I206.09[文学—中国文学]