从《汉志》“小说家”看中国小说概念及文体的生成  

Emergence of the Concept and Style of Chinese Novels:A Study of “Novelists”in Hanzhi

作　　者：王绪霞[1] 

机构地区：[1]河南师范大学文学院,河南新乡453007

出　　处：《云南民族大学学报（哲学社会科学版）》2013年第4期110-114,共5页Journal of Yunnan Minzu University(Philosophy and Social Sciences Edition)

基　　金：教育部人文社会科学项目"自得天机自长成--中国小说概念的生成及其文体在宋前的演进研究"(项目编号:09YJA751020)阶段成果

摘　　要：《汉志》"小说家"及其"小说"是在战国时凭藉文体自身潜力发展起来的、在"说体"基础上形成的一种文体。虽不属规范的文学体裁范畴,但也并非仅如《汉志》"诸子略"其他九家一样的文体那样重义理,也不如史家之记实,而是一种包括叙事内容的实用文体。《汉志》对"小说""迂诞"、"依托"的定位为"小说"文体艺术虚构的发展预留了空间。《汉志》"小说"源自民间智慧,是本土小说的早期形态,具有重要的小说史价值。The＂novelists＂and＂novels＂in Hanzhi emerged from their own stylistic potential in the period of the Warring States and formed a style based on ＂story-telling style＂and folk wisdom which was an early form of Chinese novels with much significance.Though this style was not a standard one like quite a few other styles,it was a practical one in terms of narrative.Its emergence provided some room for the further development of the literary style of Chinese＂novels＂.

关 键 词：《汉志》 “小说家” “说体” 民间性 

分 类 号：I206[文学—中国文学]