塔尔寺建筑中的汉族装饰艺术  

Buildings in Kumbum Monastery and Decorative Art of Han Nationality

作　　者：耿筱青[1] 曹玮 

机构地区：[1]青海民族大学,青海西宁810007 [2]法国里昂大学,法国里昂69007

出　　处：《青海民族大学学报（社会科学版）》2013年第3期102-105,共4页Journal of Qinghai Minzu University：Social Sciences

基　　金：中国国家留学基金资助项目之研究成果

摘　　要：塔尔寺既是藏传佛教格鲁派创始人宗喀巴的诞生地,亦是安多地区藏传佛教文化中心之一。该寺在修建伊始,和后来多次的维修过程中,都有汉族工匠参与,他们揉合了藏汉两种文化,这两种文化集中体现在其建筑装饰艺术当中;同时也体现在他们对塔尔寺宗教信仰的认同基础之上。Kumbum Monastery is the birthplace of Tsongkhapa, the founder of the Gelug Sect of Tibetan Bud- dhism and is one of the cultural centers of Tibetan Buddhism in Amdo region. At the beginning of building and keep- ing in good repair, Some Han＇ s artisans mixed the Han＇ s culture with Tibetan culture, which was embodied in the decorative art of Kumbum Monastery＇ s buildings and the identification to the religious belief of Kumbum Monastery.

关 键 词：塔尔寺 建筑装饰 汉族艺术 藏汉民族文化 藏传佛教 

分 类 号：TU252[建筑科学—建筑设计及理论]