当代文学史中的“女性”形象  

“Female Image”in the Contemporary Literature History

作　　者：赵井春[1] 

机构地区：[1]遵义师范学院,贵州遵义563002

出　　处：《黔南民族师范学院学报》2013年第3期31-35,27,共6页Journal of Qiannan Normal University for Nationalities

摘　　要：女性形象是历代作家共同的创作资源。但由于受政治话语和男权话语的困扰,当代作家对女性形象的书写很难进入本体论的范畴。通过对"男女都一样"性别遮蔽下的女性形象、"木棉"式的理想主义女性形象、"灵与肉"交融的自审者女性形象等人物形象的解析,可以梳理出当代女性创作题材中女性形象嬗变的过程及其嬗变的症候。In the long history of Chinese literature, women have always been chanted by poets and writers. Due to male -donation and other political reasons, the works on female image are almost not classified into ontology. Through an analysis of female images in ＂equalitarianism＂, ＂Mumian＂ style and the blending of ＂Soul and Flesh＂, the paper finds out the process and reasons for the change of female image in the contempo- rary female writing themes.

关 键 词：当代文学史 女性形象 解析 

分 类 号：I206.2[文学—中国文学]