文化自觉与中国当代艺术的发展  

Cultural Consciousness and the Development of Chinese Contemporary Art

作　　者：霍纪超[1,2] 

机构地区：[1]河南科技大学人文学院,河南洛阳4710032 [2]中国艺术研究院,北京100000

出　　处：《临沂大学学报》2013年第4期51-54,共4页Journal of Linyi University

基　　金：河南省软科学项目(112400440105);河南科技大学青年科学基金项目(2009QN0036)阶段性成果

摘　　要：费孝通的"文化自觉"理论不仅回答了中华文化的发展路径和前景问题,而且对中国艺术的繁荣发展有重大的指导意义。新时期以来,中国艺术获得欣欣向荣的发展,但亦存在着不良的倾向。经历了"文革"之后,许多艺术家重视西方的艺术理念和方法,以西方艺术作为导向标,忽略了本土的艺术传统,缺乏"文化自觉"的意识。如果想迎来中国的文艺复兴,艺术界首先要树立起"文化自觉"的意识,重视传统艺术和民间艺术的发掘和保护,使更多隐匿在民间艺术中的精品呈现在大众媒体中,丰富当代国民的精神世界;其次,艺术界要更多地从传统中汲取滋养,推陈出新,实现艺术传统的再创造。Fei Xiaotong＇s idea of cultural self-consciousness not only elaborates the development path and prospect of China, but also contributes significantly to the prosperity and development of art in China. Since the New Period, Chinese art has been flourishing but with an undesirable tendency. Since the Culture Revolution, many artists have turned to focus on Western theories and ideas of art. Art of the West is regarded as a guiding vane. However, that trend neglects the tradition of local art and results in the lack of cultural self-consciousness. If China wants to realize Chinese Renaissance, the art circles must establish a sense of cultural consciousness firstly, attach importance to the excavation and protection of traditional arts and folk arts, and make the more boutique hidden in the folk arts appear in the mass media, to rich the spirit world of contemporary national people. Secondly, the art circles should learn more from the tradition, bring forth the new through the old, and realize the recreation of the artistic tradition.

关 键 词：文化自觉 中国当代艺术 艺术传统 推陈出新 

分 类 号：J026[艺术—艺术理论]