走向诗的“思”——论杜尚艺术观念的转向  

The “Thinking” Trend of Poems——The Turning of Marcel Duchamp’s Artistic Ideas

作　　者：刘剑[1] 黄桂娥[1] 

机构地区：[1]贵州大学艺术学院,贵州贵阳550003

出　　处：《新疆艺术学院学报》2013年第2期89-92,共4页Journal of Xinjiang Arts University

基　　金：2012年度教育部人文社会科学研究青年基金项目"19世纪初-20世纪中叶西方诗画关系研究"(12YJC760047)阶段性成果之一

摘　　要：杜尚对西方一直以来强调绘画的视觉性进行批判,使西方现代绘画转向了语言性的思维和观念领域。诗作为最高的语言艺术形式以其思想性和观念性特质被杜尚所推崇,使他试图打破近代以来生活与艺术之间的距离,使艺术重新获得"为心灵服务"的力量,开启了观念艺术的新路向。Duchamp Criticizes the standing emphasis on the visuality of paintings in western countries, which turns western modern painting into the field of linguistic thinking and conception. Poetry as the highest form of language arts, with its ideological and conceptual content is adored by Duchamp, which impels him to try to break the ice between life and art to make art regain the power of ＂serving the soul＂, and to show a new direction for conceptual art.

关 键 词：杜尚 文学性 视觉性 观念艺术 

分 类 号：J205[艺术—美术]