“稗官为传奇蓝本”——由《风筝误》的改编探析明末清初小说戏曲的创作观念  

"Novel is Silent Drama"——on Adaptation of Fengzheng Wu & Ming and Qing Fiction Drama Creation Concept

作　　者：白薇[1] 

机构地区：[1]吕梁学院中文系,山西离石033000

出　　处：《吕梁学院学报》2013年第1期4-7,共4页Journal of Lyuiang University

摘　　要：《风筝误》是明末清初著名的小说戏曲家李渔的力作之一。这部戏剧后来被改编为通俗小说《风筝配》。从《风筝误》与《风筝配》的比较中可以发现,明末清初小说戏曲的创作观念:戏曲小说化和小说戏曲化、叙事内容的才子佳人化、媚俗倾向的普遍流行,这对后世小说和戏曲观念的形成产生了不可忽略的影响。The play Fengzheng Wu Wu was created by Li Yu,a famous fiction dramatist in the late Ming and early Qing Dynasty.Later,it was adapted for a popular novel Fengzheng Wu Pei.From the comparison between the two pieces of works,we can find a very popular and influential creation concept of the Ming and Qing fiction drama： fictionalized drama and dramatized novel full of romantic stories about talented scholars and beautiful ladies for entertainment.

关 键 词：《风筝误》 戏曲小说化 才子佳人化 媚俗倾向 

分 类 号：I207.39[文学—中国文学]