从梦珂到曼贞——试论丁玲1920到1930年代小说中的女性形象流变  

From Mengke to Manzhen——On the Changes of Female Images in Dingling's Novels from 1920s to 1930s

作　　者：王书博[1] 

机构地区：[1]西南大学中国新诗研究所,重庆400715

出　　处：《喀什师范学院学报》2013年第4期76-79,共4页Journal of Kashgar Teachers College

摘　　要：丁玲在1920年代到1930年代小说中所塑造的女性形象具有延续性,但同时亦有变化。在丁玲的早期作品中,梦珂、莎菲等新式女性形象的塑造明显带有作者丁玲的个人影子。而随着岁月的流逝,丁玲对新式女性的看法也出现了变化,在小说《母亲》中,曼贞的出现,为读者重新认识与理解新时代知识女性的独特个性与精神面貌提供了一种可能。The female images of Dingling＇s novels from 1920s to 1930s have the continuity,at the same time they also have changes.In the Dingling＇s early works,Mengke,Shafei and other New female images that distinctly has the Dingling＇s shadow.As time moved on,Dingling＇s opinion to women has changed,In the novel Mother,Manzhen＇s appearing which provides a potential to learn and understand the special character and spirit of the new age women.

关 键 词：丁玲 梦珂 曼贞 女性形象 流变 

分 类 号：I246[文学—中国文学]