毛笔书法的执笔方法探析  

On Brush Holding Methods in Chinese Calligraphy

作　　者：吴忠义[1] 

机构地区：[1]肇庆学院教务处,广东肇庆526061

出　　处：《肇庆学院学报》2013年第4期63-66,共4页Journal of Zhaoqing University

摘　　要：执笔是研习书法的起点和关键性技术所在。自古以来,历代书家对执笔方法的认知与表述众说不一。然而,各种观点最终都指向书写时的身体姿势、执笔位置和执笔动作。在现代书桌、椅子条件下坐姿书写时,符合人体生物力学结构和汉字书写规律的执笔方法是:躯干挺直稍前倾,两肘适度屈曲置于桌面,执笔手腕关节背屈,指掌关节屈曲,以拇指、食指、中指指腹和无名指第一关节背侧抓握笔杆。Brush-holding is the first step and essential technique for learning calligraphy. Ever since ancient times, there are different theories about the cognitive representations of brush-holding approaches. However, a variety of perspectives all eventually point to factors as writing posture, brush holding position, and brush movement. Sitting at desks and on chairs common in modern times, the correct brush-holding way, applying for both biomechanical structure and Chinese character writing principles is as follows： the torso upright slightly forward, elbows moderately buckled and placed on the desktop, the wrist bent outwards, with thumb, index finger, middle finger holding the brush at the first joint of the ring finger.

关 键 词：毛笔书法 执笔方法 书写动作 

分 类 号：J292.1[艺术—美术]