元代中后期山水画与吴门画派山水画比较研究  

Comparative Study on Landscape Painting between Mid-late Yuan Dynasty and Wu School

作　　者：马松翠[1] 

机构地区：[1]青岛职业技术学院艺术学院,山东青岛266555

出　　处：《青岛职业技术学院学报》2013年第4期60-63,共4页Journal of Qingdao Technical College

基　　金：2012年度山东省艺术科学重点课题(2012407)

摘　　要：元代山水画是中国山水画史上的重大变革,尤其是元四家山水画代表了元代最高水平,其抒情写意的风格影响了以后的中国画坛,具有里程碑的意义。明代中后期发端的吴门画派山水画是明代最重要的画派,其代表人物沈周和文征明代表了整个明代的最高水平。吴门画派山水画继承和发展了元代山水画,集元代及以前山水画的众家之长,形成自身风格特点。两代山水画风格既有承继又有变革。The landscape painting of the Yuan Dynasty is one major change in the history of Chi- nese landscape painting. Especially, the landscape painting of four masters in the Yuan Dynasty repre- sented the highest level of that time. Their lyrical and impressionistic style influenced the later Chi- nese painting world, so it is of milestone significance. The Landscape painting of the Wu School origi- nating from the Mid-late Ming dynasty was the most important school of the painting of that time. As its representatives, Shen Zhou and Wen Zheng-ming represented the highest level throughout the Ming Dynasty. The landscape painting of the Wu School inherited and developed the landscape paint- ing of the Yuan Dynasty. It absorbed all the merits of the landscape painting in and before the Yuan Dynasty to form its own style characteristics. There are both inheritances and changes in the two styles of landscape paintings.

关 键 词：山水画 元四家 吴门画派 

分 类 号：J209.2[艺术—美术]