试论马拉美诗歌美学的现代性  

An Exploration into the Aesthetic Features in Mallarmé's Poems

作　　者：户思社[1] 

机构地区：[1]西安外国语大学欧美语言文学研究中心,陕西西安710128

出　　处：《外语教学》2013年第5期70-74,共5页Foreign Language Education

摘　　要：马拉美的诗歌从对波德莱尔二元对立的诗歌美学思想的反叛开始,不断探索诗歌的本质,词语在诗歌中的作用被诗人从不同的角度反复提及。马拉美对诗歌语言的召唤功能的探索从另一个侧面继承和发展了波德莱尔的应和论;他对虚幻的审美对象的挖掘更有深刻的文化内涵,也符合他的诗歌创作思想;马拉美把词语在诗歌中的功能推向了极致,他主张词语要摆脱诗人的枷锁,诗人必须在诗歌中死亡,词语因此才会摆脱理性的话语模式,在诗歌中获得独立的地位。Starting with the rebellion against Baudelaire＇ s dualistic poetic aesthetics, Mallarme has constantly probed into the nature of poetry, referring recurrently to the functions of words in poetry from various angles. His exploration into the appeal of poetic language in some way follows and further expands Baudelaire＇ s Theory of Correspondences, but his analysis of the imag- ined aesthetic targets demonstrates much more profound cultural implications and fits well into his idea of poetic creation. Words are enhanced to a supreme role in Mallann6＇ s poetry. According to him, words should break out of the lock of a poet, and a poet must die in poetry, for only in this way can words get freed from the rational discourse mode and achieve autonomy in poetry.

关 键 词：马拉美 诗歌 美学特征 

分 类 号：I207.2[文学—中国文学]