论植甄隐情为古诗背景的接受——木斋学说的情爱革命  

The Acceptance of Cao Zhi and Queen Zhen's Love as Grounds for the Ancient Poems——The Love Revolution of Mu Zhai's Research

作　　者：高幸佑[1] 

机构地区：[1]台湾国立中山大学中文系,台湾高雄80424

出　　处：《琼州学院学报》2013年第4期30-37,共8页Journal of Qiongzhou University

摘　　要：木斋关于五言诗研究,以古诗十九首为曹植甄后爱情结果的立论最受到争议。个中原因除了传统文化对政治的依附造成在文学作品解读与评断上以国家政治为显而男女之情为隐的情形之外,历来文学史对古诗十九首纯诗化的美学接受亦是对此种学说的挑战。木斋学说不仅是在思考方式、研究方法上的革命,更是一种对于社会、政治、人性精神上价值观的思想革命。The most debatable statement in Mu Zhai＇s research about pentasyllabic poems is： the Nineteen Ancient Poems is the product of love between Cao Zhi and Queen Zhen.Besides the dependence on politics in Chinese culture causing the revealing of politics and the concealing of love in literary understanding and criticism,the aesthetic adoption of the Nineteen Ancient Poems as pure poetry throughout the history of literature is also a challenge.Mu Zhai＇s research is not only the revolution on thinking pattern and research methods,but also the revolution on the society,politics,and values.

关 键 词：木斋 古诗十九首 情爱 文学史 曹植 方法 价值观 革命 

分 类 号：I207.209[文学—中国文学]