审美现代性视域中的“文学”概念演进——兼论雷蒙德·威廉斯对现代主义“文学”观念的拆解  

Study of the Evolution of "Literature" Concept From the Perspective of Aesthetic Modernity——Raymond Williams' deconstruction of modernist "literature" concept

作　　者：舒开智[1] 

机构地区：[1]黄冈师范学院文学院,湖北黄冈438000

出　　处：《徐州工程学院学报（社会科学版）》2013年第5期68-72,共5页Journal of Xuzhou Institute of Technology：Social Sciences Edition

基　　金：教育部人文社会科学研究青年项目"马克思主义美学视域中的日常生活审美化问题研究"(12YJC751069);黄冈师范学院博士基金项目"雷蒙德.威廉斯文化唯物主义理论研究"(2012029503)

摘　　要：现代审美主义"文学"观念强调文学的想象性、独创性和超越性,虽然突出了文学的审美价值和高雅属性,但是排斥了普通大众创造、欣赏文学的机会。由此观之,20世纪英国著名马克思主义文论家威廉斯将文学界定为一种写作过程及其结果,既是对这种现代主义狭隘文学观念的反叛与超越,也是在马克思主义唯物史观框架内对文学定义的发展与创新。The modern aesthetic concept of ＂Literature＂ emphasizes the imaginative, creative and tran- scendental features of literature, highlights the aesthetic value and noble properties of literature, yet de- nies the mass＂ opportunity of creating and appreciating literature. Judging from this point of view, the fa- mous 20-century British Marxist literary theorist Williams＂ defining literature as a writing process and its output is a rebellion and transcendence of this narrow-minded modernist literary concept, and a develop ment and innovation to the Marxist historical materialistic definition of culture.

关 键 词：大写的文学 小写的文学 审美化 民族化 文学性 

分 类 号：I01[文学—文学理论]