“歧途”还是“正途”——对李金发诗学思想的重新考察  

The Right Path or Wrong Path: Rethinking Li Jinfa's Poetic Ideas

作　　者：禹权恒[1] 

机构地区：[1]武汉大学文学院,湖北武汉430072

出　　处：《廊坊师范学院学报（社会科学版）》2013年第4期25-28,共4页Journal of Langfang Normal University(Social Sciences Edition)

基　　金：中央高校基本科研业务费专项资金资助项目"‘民国文学史’的意义辨析和阐释空间"的阶段性成果

摘　　要：以李金发为代表的中国早期象征主义诗人,有效地继承了早期新诗拓荒阶段的优良传统,积极创新,融汇了暗示、隐喻、象征、联想等诸多艺术创作手法,采用中西兼容的诗歌创作原则,基本祛除了早期白话新诗过于散文化的严重弊病。此种诗歌主张承前继后,开创了中国现代新诗发展的一种可能性,重构了一种现代诗学理路,为现代派诗歌的长足发展奠定了坚实基础。因此,李金发诗学思想在中国现代新诗发展过程中具有重要地位,理应得到学术界的特别关注。The early Chinese symbolist poets with Li Jinfa as the representative effectively inherited the good tradition of the early new poetry, with a positive innovation combining suggestion, metaphor, symbolism, association, and many other artistic practices, following a compatible principle of the Chinese and the Western poetry creation, getting rid of the early prose style. These ideas started a new development of the modem Chinese new poetry, established a new poetic theory, and laid a solid foundation for the rapid development of the Chinese modem poetry. Therefore, Li Jinfa＇ s poetic ideas have an important position in the development of the Chinese modem poetry and deserve special attention.

关 键 词：李金发 象征主义 暗示 隐喻 陌生化 诗歌地位 

分 类 号：I206.6[文学—中国文学]