文化“边缘人”视角与新女性的“神秘”气质——以夏目漱石小说《三四郎》为例  

Cultural Marginal Person＇s Perspective and Modern Women＇s Mysterious Temperament--Take Natume Souseki＇s Novel Sanshirou for Example

作　　者：陈雪[1] 

机构地区：[1]安徽大学外语学院

出　　处：《世界文学评论（高教版）》2013年第1期155-159,共5页The World Literature Criticism

基　　金：安徽省高校省级优秀青年人才基金项目(编号:2012SQRW015ZD);安徽大学博士科研启动经费资助项目(编号:33190238)的阶段性成果

摘　　要：文化“边缘人”身份视角的运用对该视角下观察的人物形象产生影响。本文以夏目漱石小说《三四郎》为例，探讨该视角与人物“神秘”气质的关系。三四郎徘徊于近代文明与传统文化之间，具有文化“边缘人”的身份。通过这一身份视角的运用，获得“感觉”的真实，增强艺术真实性。并且，由于受其观察角度的局限性及对事物认知能力欠缺性的影响，该人物的观察对象更神秘，文本的陌生化叙述效果增强。三四郎对美祢子的认知层面存在局限，使新女性的“神秘”气质更为凸显。Cultural marginal person＇s perspective can affect the character images observed from it. This paper will take Natume Sousekirs novel Sanshirou for example to discuss the relation between this perspective and the charactersr myste- rious dispositions. Sanshirou, the protagonist in the novel, hovers between the modern civilization and the traditional cul- ture, hence he has the identity of cultural marginal person . Through applying the perspective, the true ＂feeling＂ can be obtained, the artistic authenticity strengthened. Moreover, with the limitation of his observational perspectives and cog- nition, such an observer can make his subject more mysterious and the text more defamiliarized. Sanshirou＇s insufficient understanding of Mineko highlights modern women＇s ＂mystery＂.

关 键 词：夏目漱石 《三四郎》 文化“边缘人” 新女性 神秘 

分 类 号：I313.074[文学—其他各国文学]