变与通的新主义——洛齐“书法主义”的佛学新启悟  

A New Principle of Change —New Enlightenment of Luo Qi's Doctrine of Calligraphy

作　　者：张乾元[1] 

机构地区：[1]东南大学艺术学院,南京210096

出　　处：《文化艺术研究》2013年第2期147-151,共5页Studies in Culture and Art

摘　　要：书法的变化之道遵循了天地人事变化之常道。"书法主义"试图在对"法"的理解基础上,再度强调"主义"的思想性、启迪性。它的变革意识的形成,从本质上恰恰是根植于中国书法变革之道的本体之上的。通过解读洛齐的《金刚经释书》书与文,可见出他的某种当代觉悟、布施精神和非相心愿,为其对"书法主义"的理解进一步拓宽和打通了思路。The change of calligraphy follows common way of variations in universe. Luo Qi＇ s doctrine of calligraphy re-emphasizes the ideological content and spiritual illumination on the basis of understanding the ＂law＂, in which the sense of change takes root in the Chinese calligraphy itself. By interpreting Luo＇ s ＂Explanation of Diamond Sutra＂, we can see a certain awareness of his and the spirit of donation and therefore get a better understanding of his doctrine of calligraphy.

关 键 词：后现代主义 现代书法 书法主义 《金刚经释书》 

分 类 号：J292.28[艺术—美术]