试论二十世纪八十年代女性诗人的“自画”现象——以伊蕾、翟永明为例  

A Tentative Study on Poetesses' Self-portrait in 1980s——A Case of YI Lei and Zhai Yongming

作　　者：王书博[1] 黄丽萍[1] 

机构地区：[1]西南大学中国新诗研究所,重庆400715

出　　处：《运城学院学报》2013年第4期83-86,共4页Journal of Yuncheng University

摘　　要：二十世纪八十年代随着女性诗歌的崛起,女性诗人开始以其独立、反叛的姿态出现在中国诗坛,而在大量女性诗歌文本中,一种具有某种共性的"自画"成为了这一时期女性诗歌重要而独特的创作倾向。可以说,在自我的镜照与打量中,女性诗人群体发现并彰显了自身强烈的性别意识,而女诗人伊蕾、翟永明则是以"自画"以及为女性群体"绘画"的方式重塑了女性的个体意义与生命价值。In the 1980s, with the development of female poems, na with their independent and rebel stance. One of the main creative many female poets began to appear in Chitendency in this period is their selfpor traits which showed their strong female consciousness. The poetess, Yi Lei and ZhaiYongming reshape the women individual significance and life value by their

关 键 词：女性诗人 二十世纪八十年代 伊蕾 翟永明 自画 

分 类 号：I207.25[文学—中国文学]