解读唐朝服饰宝花纹中的和合文化  

Interpretation of Harmony Culture from Floral Medallion Pattern on Costumes in Tang Dynasty

作　　者：薛再年[1,2] 郑清璇[1,2] 梁惠娥[1,2] 

机构地区：[1]江南大学纺织服装学院,江苏无锡214122 [2]江南大学传统服饰文化与数字化创新实验室,江苏无锡214122

出　　处：《丝绸》2013年第9期61-64,共4页Journal of Silk

基　　金：国家社会科学基金资助项目(12BMZ049)

摘　　要：通过对中国传统和合文化和唐朝服饰上宝花纹的研究,尝试探究中国传统和合文化与唐朝服饰植物纹样之间的结合契机,并运用和合文化的思维从组成宝花纹的题材、结构布局、审美意蕴和整体构思四方面对唐朝服饰上的宝花纹进行解读,由此得出唐朝服饰上的宝花纹作为和合之花是彰显其内在和合文化内涵的纹样典范,并成为中国历史上绽放于唐朝服饰上千年不朽的盛世"合花"。Through researches of Chinese traditional harmony culture and floral medallion pattern on costumes in Tang dynasty, this paper tries to explore the combination moment between Chinese traditional harmony culture and plant pattern on costumes in Tang dynasty, and apply the thinking of harmony culture to interpret floral medallion pattern on costumes in Tang dynasty from four aspects： the theme forming floral medallion pattern, structural layout, aesthetic connotation and overall conception. Thus, this paper draws the conclusion that： floral medallion pattern on costumes in Tang dynasty aims to manifest inherent harmony culture connotation and becomes blooming ＂Harmony Flower＂ on costumes in Tang dynasty in the history of China.

关 键 词：宝花纹 和合文化 植物纹样 唐朝服饰 传统文化 

分 类 号：K892.23[历史地理—民俗学]