惠特曼与郭沫若诗歌公共性比较  

A Comparison of Publicity of Whitman and Guo Moruo's Poems

作　　者：赵明[1] 

机构地区：[1]西南大学中国新诗研究所,重庆400715

出　　处：《重庆三峡学院学报》2013年第5期92-95,共4页Journal of Chongqing Three Gorges University

基　　金：重庆市社科规划项目"中国新诗的公共性研究"(编号:2012YBWX087;主持人:向天渊)阶段性成果

摘　　要：惠特曼和郭沫若在对民族题材的运用和诗歌形式创新中完成诗歌"个体自我"向"民族自我"("国家自我")的转化,升华为一种"普遍自我"。惠特曼以美国作为投射对象,以第一人称"我"热情讴歌美国精神,在诗歌中完成自我身份构建。郭沫若诗歌应和"五四"的时代精神,高扬人的个体性,坚持对现实压迫的反抗,对祖国的热爱,把"五四"个性主义的时代精神在作品里成功地反映出来,由此给郭沫若的新诗带来了奔腾豪纵的情趣美。Whitman and Guo Moruo both transmitted from“individual self”to“national self”in their use of national subject matters and the innovation of poem forms and raised to “universal self”. As a national poet of America, Whitman extolled the American spirit with the first person“I”. With America as the projection target, Whitman has completed his identity construction in his poetic creation. Guo Moruo actively responded The May-fourth Movement, and spoke highly of humanity in his poetic creation. He opposed the oppression in the realistic world and conveyed patriotism, and successfully communicated the individualism characterized with The May-fourth Movement in his poetic creation. Thus his poems are full of heroic spirit.

关 键 词：惠特曼 郭沫若 个人性 个人自我 公共性 普遍自我 

分 类 号：I207.25[文学—中国文学]