“局外人”的艺术追求——论美国当代著名女诗人凯·瑞安  

On the CharacteristicArtifice in Kay Ryan's Poetry

作　　者：李嘉娜[1] 

机构地区：[1]福建师范大学,福建福州350007

出　　处：《广东外语外贸大学学报》2013年第4期71-74,82,共5页Journal of Guangdong University of Foreign Studies

基　　金：福建省社科规划一般项目<美国后现代诗歌艺术研究>(编号2010B157)系列论文之一

摘　　要：凯瑞安能够从近年诗人如织的美国诗坛里脱颖而出并频频获奖是一个奇特的现象。瑞安作为诗坛曾经的"局外人",孤军奋斗20多年最后成功,对其成功后的反思和启示不啻是对美国当代诗坛诗人运作方式的一次反讽。瑞安仰慕迪金森天马行空的感觉力;汲取了莫尔理性的因子和细致观察的技巧,再结合当代后现代主义的时代特征和自己的个性特点,最终成功地开辟出了一条属于自己的成功之路。Kay Ryan, having won many awards, has stood out with unusual success. It＇ s assumed from the study of works and her philosophy that her success, as an ＂outsider＂ from known poets for over 20 years, and its revelation are ironi cal to the institutionalism of training poets. Ryan adores both audacious imagination in Dickinson and subtle observation in Moore, upon which she broke a new path for herself, bearing the imprint of postmodernism and her characteristic innovation.

关 键 词：“局外人” 超越 艺术 

分 类 号：I03[文学—文学理论]